This project is a hallmark on the long tradition of BD’s reproductions of Salvador Dali’s furniture, that started with the Sofa in the form of lips, which was installed in the Sala Mae West of the Theatre Museum in the city of Figueres.
Later in time, BD reproduced other furniture and lamps. Ideas were drawn from Dalí’s own drawing projects and paintings. This is the same with the Xai.
We broke up the painting, "Interpretation Project for a stable-library” (1942), where there appears a characteristic Dalí drawer, made up of a little lamp-table. BD has received the support of the exceptional expertise and capacity of Deyrolle, the taxidermist from Paris who maintained an intense relationship with Salvador Dalí (many of Dalí’s pieces —bears, lions, lobster, swans...— are made by Deyrolle).
Apart from the exceptional work of the taxidermist, emphasis must be placed on the maker of little table’s drawer and the little shoes in bronze.
Limited Edition of 20 unique pieces in white and 1 in black.
Stuffed lamb elaborated with a technique by a taxidermist.
Deyrolle certifies that the sheep skins used for the prduction of these pieces come from a slaughter house which is a meat supplier, and no animal sacrifice has been made.
In the Paris of the 1930s, Salvador Dalí (1904/1989) surrounded himself with a circle of friends working in the application of art to a number of varied disciplines, beyond the study of purely pictorial art. One of these, Jean-Michel Frank, an acclaimed furniture designer and decorator in Paris at that time, got on extremely well with Dalí, and together they developed a number of ideas.
One example of this is the Bracelli lamp, a classic design in Jean-Michel’s manner of designing and working that Dalí adopted for his home in Portlligat. Among Dalí’s projects, which add to his CV as a designer, are the garden furniture for his home in Portlligat, the complete architecture of the Night Club (in the shape of a hedgehog) for the Hotel Presidente in Acapulco (1957) and a project for a bar in California in the 1940s.
His creations were not limited to traditional furniture elements, but included taps, handles, knobs, prints and objects of indeterminate use. In 1933, Dalí even registered the patent for the design of a bench as an outdoor seat.
In the 1990s, a team of experts led by Oscar Tusquets set out to bring to life the furniture that Dalí had sketched for Jean-Michel Frank, including the Leda chair and low table taken from the 1935 painting “Femme à latête rose” (1935). The sculptor Joaquim Camps was responsible for breathing life into them and BD Barcelona Design took charge of their worldwide exclusive production and marketing.